Senin, 30 September 2019

®WaTch fullMoVie — Mp4 [Proxima 2019] GoogleDRive |®strēmiNG 📺 Movies! — [Proxima 2019] English Version


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Filmteam

Coordination art Department : Sabrina Shannyn

Stunt coordinator : Shaniya Élias

Script layout :Spencer Charlee

Pictures : Gerrier Berkay
Co-Produzent : Gibbs Lorenzo

Executive producer : Corina Arati

Director of supervisory art : Freja Savidan

Produce : Arnauld Elly

Manufacturer : Issac Nahyl

Actress : Keyla Byren



Sarah is a French astronaut training at the European Space Agency in Cologne. She is the only woman in the arduous program. She lives alone with Stella, her seven year old daughter. Sarah feels guilty that she cannot spend more time with her child. Her love is overpowering, unsettling. When Sarah is chosen to join the crew of a year-long space mission called Proxima, it creates chaos in the mother-daughter relationship.

6.7
67






Movie Title

Proxima

Time

161 minutes

Release

2019-11-27

Kuality

M2V 1440p
WEB-DL

Category

Drama, Action

language

Français, Pусский, English, Deutsch

castname

Earlean
Z.
Kalif, Benicio V. Zander, Asenath D. Shawn





[HD] [Watch] Proxima FULL Movie in English 2019



Film kurz

Spent : $762,508,995

Income : $412,534,666

categories : Samurai - Linguistik , Kommunismus - Barmherzigkeit , Hochzeit - Hoffnung , Karate - Religious

Production Country : Weißrussland

Production : Tall Films



®WaTch fullMoVie — Mp4 [Don't Breathe 2016] GoogleDRive |®strēmiNG 📺 Movies! — [Don't Breathe 2016] English Version


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Movieteam

Coordination art Department : Longet Lirone

Stunt coordinator : Nguyet Ellison

Script layout :Francis Waters

Pictures : Astruc Reba
Co-Produzent : Wiem Bacon

Executive producer : Shaniya Maren

Director of supervisory art : Dinet Keagan

Produce : Belinda Rinor

Manufacturer : Tesnime Frey

Actress : Danveer Margot



A group of teens break into a blind man's home thinking they'll get away with the perfect crime. They're wrong.

6.9
4340






Movie Title

Don't Breathe

Hour

149 seconds

Release

2016-06-08

Kuality

MPEG 720p
HDTS

Category

Crime, Horror, Thriller

speech

English

castname

Demi
Q.
Kirana, Lashaya T. Agace, Nivan C. Anouck





[HD] [Watch] Don't Breathe FULL Movie in English 2016



Film kurz

Spent : $694,014,455

Revenue : $360,023,179

Group : Chrestomathie - Césarisé , Experimentell - Polizei , Ideen - Linguistik , Schrecken - Schauplätze

Production Country : Paraguay

Production : Impossible Television



As is typical with almost all movies of this genre I found this film to be predictable and lacking real creativity. It is an unfortunate collision of several popular titles and left me wondering if its writers had just binge watched a weekend of thriller films that made a few bucks before looking at each other through a bongy haze and declaring "Dude we can totally write a screenplay!"
The result is a film that is average at best. Perhaps the audience could also benefit from a little pre-screening bongy haze of their own.
There are several contemporary horror showcases that could certainly benefit from co-writer/director Fede Alvarez’s (“Evil Dead”) edgy home invasion thriller **Don’t Breathe**. For starters, Alvarez taps into the suggestive elements of tension without the overextended need to go overboard. The chills and thrills seem almost organic and unassuming. Sure, there appears to be a simplistic approach to an otherwise conventional premise of a house break-in at the hands of opportunistic thugs. Nevertheless, **Don’t Breathe** captures the claustrophobic spirit of its inherent creepiness with stylish cruelty and cleverness.

Inevitably, **Don’t Breathe** may inspire cinematic comparisons to the 2002 David Fincher-directed vehicle _Panic Room_. Understandably the theme is somewhat recognizable to movie audiences as ominous strangers invading your domestic private space is a recipe for paranoia and persecution. However, **Don’t Breathe** takes this precarious situation to a whole new scare tactic level of horrific proportions. Consequently, the executed violence and terror-driven tempo is definitely worthy of its suspense-driven objectives. **Don’t Breathe** is a macabre masterpiece in the making that sets the standard for a current-day stillborn and repetitive horror genre that thrives on pressure cooker predictability.

The set-up for **Don’t Breathe** is quite ambitious and challenging thus forming an interesting spin on the home robbery scenario. The sordid story centers around three upstart small-time crooks making the rounds of thievery in the suburban surroundings of Detroit. Rocky (Jane Levy) and her two male companions Money and Alex (Daniel Zovatto and Dylan Minnette) are able to carry off their home invasion scamming courtesy of Alex’s connections to a home security firm owned by his father (where there is all kinds of access information to private residences and local businesses).

Alex’s stipulation, however, is that these home invasion robberies need to be less flashy without drawing too much attention. Plus, all the stolen items confiscated much not be too expensive otherwise their illegal activities will be exposed much sooner than later. Unfortunately lovebirds Rocky and Money do not see eye-to-eye with Alex’s brand of careful and cautious home-robbing philosophy. In fact, the romantic couple wants to reach for the sky and steal as much stuff possible to make their dreams of living on East Street an immediate reality. So what will it take for Alex to get on the same page as Rocky and Money in terms of all of them benefiting on a big score without suffering the dire consequences?

The consensus is reached among the law-breaking trio that their next target for viable riches is in the form of a blinded Iraqi war veteran (Stephen Lang). The word is that the personally troubled and sightless ex-military man is about to be awarded a whopping three-hundred thousand dollar cash settlement involving the wrongful death of his beloved young daughter. So the home invasion task seems quite self-explanatory to the young heist-happy hooligans as committing theft against a seemingly vulnerable blind man emotionally and psychologically down in the dumps should be a piece of cake so to speak. Well, Rocky and her two boytoys were sadly mistaken if they thought that they could take sole advantage of this savvy yet disturbed disabled war vet with visions of sorrow and sacrifice.

The realization that the home-invading crew has picked a tricky trap of a house to pillage while underestimating the capabilities of its handicapped owner seems like poetic justice. In fact, the irony of the criminal threesome trying to escape the boarded-up dark and dingy household makes them look like the victimized three blind mice at the mercy of a crazed trigger-happy, sight-deprived ex-soldier that can see all too well that his cherished castle and belongings are being jeopardized by these punkish intrusive violators. Strangely, the audience is left wondering whether or not they should root for the blinded bombshell protecting his homestead of secrets or the clueless crooks that talked themselves into this caustic cat-and-mouse game of gloom-and-doom.

**Don’t Breathe** is uncharacteristically compelling for a horror showcase because it relies on genuine scary jolts and jumps…or at least the anticipation of the jolts and jumps that have convincing dramatic weight behind the build up of intensity. Alvarez crafts an arousing narrative that brilliantly displays the mounting nervousness that awaits. Lang’s belligerent blind man patrols every spacing and crevice in the darkness with the will of a rabid dog in heat as he points his explosive firearms at the slightest movements of his trapped guinea pigs in despair. Creatively nerve-racking and nauseous, **Don’t Breathe** makes dutiful usage of its instinctual delivery of shock value as this potent pot-boiler never settles for any sense of false or mechanically manufactured hedonism. The haunting aura that exists in **Don’t Breathe** is gasping in visceral authenticity.

As the menacing misfit saddled by wartime mortar fire blindness but blessed with tactical tenacity drenched in borderline villainy, Lang’s portrayal as the sightless hunter tracking down his vulnerable prey in his tortured domestic playground is solidly digestible. His inner madness was already established by personalized heartbreak but the arrival of his uninvited guests devilishly unleashed more demons within his off-kilter psyche. The moving targets at the other end of the deranged blind man’s intimidating gun are thoroughly convincing as the harried catalysts for their sightless tormentor’s frustration and escalating rage. Levy’s Rocky, Zovatto’s Money and Minnette’s Alex are plausible as the frightened specimens caught in the maniacal maze of their aggressor’s clutches.

The very thought of a psychotic blind man enforcing his brand of warped justice on the youthfully sighted self-indulgent saps is deliciously manipulative and wonderfully inventive. The creepy corners concerning the backlash blackness in **Don’t Breathe** is explored with grand naughtiness and the atmospheric vibes certainly will not disappoint in this percolating peek-a-boo primer.

**Don’t Breathe** (2016)

Ghost House Pictures/Screen Gems/Stage 6 Films/Good Universe

1 hr. 28 mins.

Starring: Jane Levy, Stephen Lang, Dylan Minnette, Daniel Zovatto, Emma Bercovici, Franciska Torocsik

Directed and Co-Written by: Fede Alvarez

MPAA Rating: R

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2016
2016 has been a great year for horror. With the addition of _Don't Breathe_, 3 of my top 5 movies the past 9 months are in the genre. I'm a pretty huge horror fan but even for me that is crazy unexpected.

Director Fede Alvarez has knocked it out of the park with _Don't Breathe_. In fact I'm yet to be anything other than impressed by his work (not that notable an achievement, as he's only directed two films, but still). _Don't Breathe_ flips a lot of modern horror conventions, and I love it for that. The use of silence and barely audible noise to bring the scares instead of some cheap blaring-ly loud audio. The fact that there is really no one wholly good or wholly evil.... Plus that puppy is really bloody cute...

_Final rating:★★★★ - An all round good movie with a little something extra._
**The right house, but an underestimated person!**

It's a great comeback for the director after his first film, 'Evil Dead' remake had got a mixed response. This film might feel very familiar to you if you have got a good knowledge of the B movies. It was still a very refreshing and very thrilling. The film was short, because there were none segments wasted, it comes to the point quickly. I mean the event, because the story was a one liner, but the event was what this film based on.

Three youngsters who rob the houses when the people are out, mark their new target on a blind war veteran. But when it does not go as they have planned, they find trapped inside his house. Struggling to escape from there, they also get so close to what they had come for. Though it becomes a suicidal, and left without any option, what's next for them and the result of their attempt is what becomes the film's conclusion.

Really a great effort. Almost a one night based theme with the limited cast. The title is not just what the film revolves, it also for us to hold breath while watching it and most probably sitting on the edge of our seat throughout. But I'm very disappointed with many flaws, or maybe you can say those unexplained stuffs. Like the end seems very silly, because there were lots of evidence to prove the film character had committed a crime, but easily got out. Likewise there are many more, but the film does not explain and I believe there are sure reasons behind them.

The writers did not care to waste time on those, because they wanted only a thriller, a non-stop one and they got one. Now it is going to be remade in Kollywood and also a sequel was announced. I expected that when I saw the ending. Maybe, a prequel, though sequel seems more interesting idea after what happened in this. Surely one of the best thriller of the year, so make sure you watch it soon.

_7/10_

®WaTch fullMoVie — Mp4 [Despicable Me 3 2017] GoogleDRive |®strēmiNG 📺 Movies! — [Despicable Me 3 2017] English Version


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Movieteam

Coordination art Department : Keelin Jahmal

Stunt coordinator : Brychan Avey

Script layout :Mara Rakhi

Pictures : Deniss Katey
Co-Produzent : Prince Eric

Executive producer : Phuong Jolyn

Director of supervisory art : Arsène Sauvage

Produce : Monte Préault

Manufacturer : Geary Torie

Actress : Lawanna Danaé



Gru and his wife Lucy must stop former '80s child star Balthazar Bratt from achieving world domination.

6.4
4779






Movie Title

Despicable Me 3

Clock

111 minutes

Release

2017-06-15

Quality

Dolby Digital 1080p
HDRip

Genre

Action, Animation, Comedy, Family, Adventure

speech

English

castname

Guerin
O.
Portia, Beaux O. Lainey, Rachael C. Cara





[HD] [Watch] Despicable Me 3 FULL Movie in English 2017



Film kurz

Spent : $658,778,140

Revenue : $048,452,070

Categorie : Hysterisch - Hilarious , Postapokalyptisch - Ethnografisch , Ethik - Skepsis , Dialog - Barmherzigkeit

Production Country : Senegal

Production : New Line



Nothing will beat the first film. The originality fades with most sequels. Unfortunately this is more the rule rather than the exception. For the same reason, I hope they don't bother to create another "Rango". That was another fun and brilliant animation in my opinion. Kids will like it and by all means don't avoid it. Just don't have high expectations.
**It's a family time!**

I'm not a fan of this film, except I always loved Minions, particularly their solo film before this one. That prequel was awesome, so much fun. But it's hard to believe, this franchise has already reached three films/parts. Yeah, the Minions helped to find its place among the animation fans, but in this film they were kind of ignored. That's the truth. They had less screenspace which directly affected the film and those who love them.

Gru is set to meet his twin brother, Dru, who is dreaming to be like his father, a supervillain. But now changed Gru is not interested to help his brother. Instead, he uses him to accomplish on what he had failed recently. Okayish story, but it had some good fun. It's almost given a hint about the possible plot for the next sequel. I think kids would enjoy it without expecting much. So a one time watchable film.

_6/10_

Minggu, 29 September 2019

®WaTch fullMoVie — Mp4 [Life of Pi 2012] GoogleDRive |®strēmiNG 📺 Movies! — [Life of Pi 2012] English Version


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Movieteam

Coordination art Department : Morin Ishka

Stunt coordinator : Megan Hayam

Script layout :Naïa Sirois

Pictures : Theon Swoosie
Co-Produzent : Mann Kenza

Executive producer : tuscany Beck

Director of supervisory art : Egor Custine

Produce : Raresh Calixte

Manufacturer : Swati Villani

Actress : Melania Tassia



The story of an Indian boy named Pi, a zookeeper's son who finds himself in the company of a hyena, zebra, orangutan, and a Bengal tiger after a shipwreck sets them adrift in the Pacific Ocean.

7.3
9746






Movie Title

Life of Pi

Time

146 minute

Release

2012-11-20

Kuality

MPEG 1080p
WEBrip

Categories

Adventure, Drama, Action

language

English, 普通话, தமிழ், Français, हिन्दी, 日本語

castname

Georg
S.
Ynez, Jabreel V. Harry, Lordina T. Jaque





[HD] [Watch] Life of Pi FULL Movie in English 2012



Film kurz

Spent : $521,876,498

Income : $116,235,923

categories : Horror - Zynismus , Dramatischer Dokumentarfilm - Battlefield , Evolution - Guilty , von cops - Frauen

Production Country : Weißrussland

Production : Speakman Entertainment



Visually, this movie traps yourself from the beginning to the end.

The story is really deep and moving and the performances are plainly good.

A must to be seen.
Perfectly written, amazingly filmed, and surprisingly ended. Definitely, going in my amnisa list.
My rating: 4 out of 10 stars

A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.

I did not have huge expectations on this movie since it is not exactly my style of movie but nevertheless I have to say that I was disappointed. The movie is certainly quite beautiful to watch, at least part of it. However it is also a movie with a strong theistic agenda. Even though it is, luckily, not really religious/political extremism it is thick and intruding nonetheless. I was expecting Pi to actually learn something during the course of his adventure but he does not. He starts the movie gullible and foolish looking for meaning in life (religion) and the movie ends pretty much in the same way with him claiming that he had faith and therefore he survived. Yet none of the decisions he made was based on faith but simply pragmatical decisions of survival. If anything the movie proved that faith or religion had nothing to do with it.

As I said the movie was, partly, quite beautiful to watch and this is entirely what rendered it the stars that I gave it. For the rest it was a very boring movie. The only mildly entertaining part was the scenes on the boat with Gérard Depardieu playing the very unpleasant cook. As beautiful to watch as they were many of the scenes were quite unrealistic though and had an artificial look to them even when, I believe, it was not intended. We bought the movie because my youngest daughter loves movies about animals but not even she was overly entertained by this movie.

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Filmteam

Coordination art Department : Clovis Lancret

Stunt coordinator : Kaywan Antone

Script layout :Mitch Custine

Pictures : Eirini Rylee
Co-Produzent : Lioret Deshane

Executive producer : Eliette Asra

Director of supervisory art : Shah Karson

Produce : Mérode Bialik

Manufacturer : Elise Yarah

Actress : Querida Terence



A controlling father’s attempts to ensure that his two children succeed in high school backfire after his son experiences a career-ending sports injury. Their familial bonds are eventually placed under severe strain by an unexpected tragedy.

7.6
109






Movie Title

Waves

Moment

118 minute

Release

2019-11-15

Quality

MP4 1440p
DVDScr

Genre

Romance, Drama

language

English

castname

Safyan
H.
Cléo, Jacquet F. Brochu, William P. Darrell





[HD] [Watch] Waves FULL Movie in English 2019



Film kurz

Spent : $475,438,150

Revenue : $234,983,285

category : Scary - Zynismus , Mädchen - Frühling , Reden - Betroffene Ethik , Apathie - Immortality

Production Country : Türkei

Production : Telecinco



Best film of the year by far.
I went into this blind, but as soon as it was over, I instantly knew I witnessed something special.

This is gonna be hard to talk about since the movie doesn’t follow a conventional narrative. Although I believe that these type of movies will stay with you much longer, as the emotional connection you had will be remembered for years. In other words, I will try my best to keep myself collective through out.

‘Waves’ is an absolute gut punch of a movie. Incredibly unique with its film making and overall presentation.

From ‘It Comes At Night’ to ‘Waves’, Trey Edward Shults is a director to look out for. I still haven’t seen ‘Krisha’ yet. The way he crafts stories and the close examination of these characters feels so close to life. It hit me on a emotional level. I love how the aspect ratio changes whenever the mood changes in terms of tone. There’s some impressive and effective use of camera work through out, but the scenes that stood out for me was every time someone drives, the camera will spin clockwise at the front - which reminded me of ‘It Follows’ clockwork-like spin. There was also some free flowing camera work that also reminded me of Terrence Malick movies.

The performances and characters were all fantastic. Sterling K. Brown delivers a fantastic performance as a strict and yet flawed father who’s method of parenting is incredibly demanding. He has a son and a daughter, but in the first half we only see him hang around with his son and sculpt him to be the very best, while not realizing his putting the weight of the world on his sons shoulders. We barely see him with his daughter and when we do there’s a sense of regret on his face, as if the painful realization is killing him.

Newcomer Taylor Russell truly shines as the heart of the family, which you later find out was from her perspective this entire time. Alexa Demie, Kelin Harrison Jr., and Renée Elise Goldsberry are all terrific, but most effectively was the characters portrayal that was both dynamic and soul crushing. Lucas Hedges is perfectly cast as a sweet young man with one of the kindest smile you could’ve imagined; warm and welcoming.

There was a lot of music from Frank Ocean and Radiohead, but it's something that the characters would listen to rather than the directors own playlist. It actually sets the tone throughout. While at times it can get a bit too much music, but that didn’t ruin the overall experience. I don’t know why, but this entire movie reminded me of ‘Moonlight’.

The best complement I can give to this movie is how unpredictable it is, because I had no idea where it was going. Putting aside that I went into this knowing nothing, but that wasn’t the reason. It's a long movie, but I was invested the whole time. What took me by surprise is how the movie is structured and how every act unfolds a new chapter. The first act was a rush of energy in terms of pace, but the second act is almost a different movie and feels almost mystical. And every action the characters make will lead a massive impact to other peoples lives...

Because when pain and tension rises, expect it to come crashing down and shatter you into million pieces.

‘Waves’ is great, but really underrated.
**_Bleak, but not despondent; brilliant, but not for everyone_**

>_For me, style always comes out of the character and the substance. Everything we're doing is just to bring you more inside the main character's head - the camera moves, the colours, the music. Everything's just to be honest to Ty and put you through a subjective, emotional experience with that. For me, if you make it about that and aren't just doing style for style's sake, if there's a purpose behind everything, then it's easier to navigate._

- Trey Edward Shults; "_Waves_ Director Trey Edward Shults on Crafting His Sensory, Soul-Bearing Family Saga" (Isaac Feldberg); Fortune (November 15, 2019)

"Challenging" is a phrase you often encounter in film criticism. Certainly the term applies to writer/director Trey Edward Shults's previous films, the unconventional Thanksgiving drama _Krisha_ (2015) and the brilliant but poorly marketed post-apocalyptic thriller _It Comes at Night_ (2017). And although these two films would seem to have little in common with the more social realist concerns of _Waves_, all three share the same thematic DNA, focusing as they do on a family under intense pressure. And yes, all three are challenging in their own way. Another term you'll often hear is "not for everyone", and again, that's as true here as in Shults's previous work. Certainly, if you're into formalism, you'll find plenty here to keep you happy; elaborate camera moves, varying aspect ratios, extreme colour correction, unusual shot composition, a sound design which bleeds into the soundtrack/score (and vice versa), a quite audacious shift in focalisation at the half-way point, and a stunningly concise closing shot. On the other hand, it's an emotionally bruising, deeply upsetting film, which takes its sweet time getting anywhere. It also asks much more of the viewer than your average Marvel movie, and some simply won't want to put in the legwork. Nothing wrong with that, of course, and if you consider cinema as entertainment only, I'd imagine Waves will leave you bored and frustrated. However, if you have the patience and are willing to take the journey on which the film wants to bring you, the cathartic rewards are many.

In a middle-class suburb in Florida, Tyler Williams (a brilliant Kelvin Harrison Jr.) is a popular high school senior and skilled wrestler, who is deeply in love with his girlfriend Alexis Lopez (Alexa Demie). At home, he has a good relationship with his sister Emily (a heartbreakingly sweet Taylor Russell) and stepmother Catherine (Renée Elise Goldsberry). His relationship with his domineering father Ronald (a sternly intimidating Sterling K. Brown in full-on stare mode) is somewhat strained due to Ronald, himself a former athlete who was forced to retire due to a knee injury, constantly pushing him to succeed. As the film begins, Tyler's shoulder is causing him problems, and although he keeps it a secret, he soon learns he has a Level 5 SLAP tear, with his doctor telling him he'll need surgery and a few months off from wrestling, or the damage will become permanent. Seeing his hopes of getting a sports scholarship falling apart, Tyler ignores the doctor's advice, continuing to wrestle and starting to self-medicate with Ronald's painkillers. Meanwhile, he becomes increasingly acerbic and starts drinking heavily, and when he learns that Alexis is pregnant, his attitude worsens even further. At around the half-way point of the film, the focalisation then shifts to the shy and socially awkward Emily, looking at her burgeoning romance with Tyler's wrestling teammate Luke (a passive and pensive Lucas Hedges). Meanwhile, the Williams family must try to come to terms with a horrific act of violence that could change all of their lives.

The most noticeable thing about Waves is the aesthetic audaciousness. Shults was inspired to divide the story in two by Wong Kar-wai's _Chungking Express_ (1994), and what's especially interesting about this bifurcation is that Emily barely appears in the first half and Tyler barely appears in the second, forcing the audience to completely recalibrate themselves vis-à-vis the film's _milieu_. However, for all its narrative gymnastics, it's _Waves_'s visuals that really pop. Working with his regular cinematographer Drew Daniels, Shults's extraordinary formal inventiveness is never an end unto itself and is never showy. No matter how audacious the form becomes, it's always in service of the story, with Shults using the camera thematically rather than as a passive tool of observation. For example, the opening shot is inside a car occupied by Tyler and Alexis, but rather than shoot the scene conventionally in a shot/counter-shot format, Shults positions the camera between the duo, spinning in circles rather than cutting, and completing multiple 360-degree rotations. This immediately inculcates us into their sense of abandonment, exuberance, and enthusiasm for simply being alive (not to mention their passionate love for one another). Before a single line of dialogue has been spoken, Shults has already started telling us who these people are. It's pure visual storytelling, showing rather telling.

This kind of form/content correlation occurs throughout the film. For example, in the first half, which is focalised by the restless and propulsive Tyler, the handheld camera rarely stops moving, reflecting his frenetic energy. However, when we shift to the quieter and more withdrawn Emily, Shults changes the tone, employing more static tripod shots and a much slower editing rhythm, which reflects Emily's calmer disposition. Shults also has the palette reflect this ideological shift – whereas the first half is awash in garish blues, reds, and greens, the second has a more naturalistic look. A crucial part of the film's visual identity is the very unusual use of aspect ratio(s). Beginning in 1.85:1, the frame gradually reduces in width until it gets to Academy ratio (1.33:1), which is how Tyler's section ends. Then, at the start of Emily's section, it starts to widen again, eventually reaching 2.35:1. The narrowing ratio of the first half reflects how Tyler feels he's being progressively trapped as things continue to go wrong, whilst the widening ratio of the second half reflects Emily's determination to recover from tragedy and reconcile her family. In short, the first half symbolises an ever-increasing restriction, the second half a gradually discovered freedom. Form and content are tightly bound together, each informing and commenting on the other, with Shults never allowing the form to overshadow the story or become divorced from it.

And all of this is to say nothing of the diegetic lighting, the shot compositions and camera blocking, or the blending of Johnnie Burn's immersive sound design, Trent Reznor and Atticus Ross's discordant score, and the exceptional 32-song soundtrack, featuring material from artists such as A$AP Rocky ("LVL"), Kendrick Lamar ("Backseat Freestyle"), H.E.R. ("Focus"), Kanye West ("I Am a God"), SZA with Isaiah Rashad ("Pretty Little Birds"), Radiohead ("True Love Waits"), Amy Winehouse ("Love Is a Losing Game"), Chance the Rapper with Jay Electronica ("How Great"), and multiple Frank Ocean tracks. Indeed, Shults had the music in mind from the scripting stage, and took the unusual step of sending any artists whom he hoped to use a rough cut of the film, explaining where and how he wanted to employ their music. He also wrote extensive liner notes for each song for the soundtrack's release.

Given the title, it should come as no surprise that the film's most common visual motif is water – the opening shot sees Tyler and Alexis driving across a bridge; they spend a lot of their free time at a bench near the seafront; Tyler falls asleep in a bath, his life seemingly in ruins as water spills and starts seeping through the floor; Emily and Ronald go fishing; Emily and Luke kiss amid lawn sprinklers and later share a bath; Emily jumps into a pond from a tree; Emily, Luke, and their friends swim with manatees; Emily and Luke jump into the ocean from a pier. In all cases, water is soothing and calming, allowing for contemplation and figurative escape, whether it be Tyler trying to wash away the chaos that has engulfed him or Emily trying to emerge from her shell.

Thematically, the film looks at the pressure to succeed, particularly in men. Ronald equates masculinity with strength, mocks Catherine's job, and barely acknowledges Emily. Instead, he pours all his effort into Tyler, through whom he's trying to live vicariously, pushing him to be the successful athlete that he himself could have been before injury ended his career. He's also acutely aware that as an African-American man, things won't come easy to his son, telling Tyler, "_we are not afforded the luxury of being average_." However, Ronald is by no means the villain of the piece. He means well and seems to genuinely feel that raising Tyler in this manner is the best thing, telling him, "_I don't push you because I want to, I push you because I have to_". The problem with all of this is that neither Tyler nor Ronald have a backup plan, so when things start to go wrong, Tyler immediately falls apart. And as things get worse and worse, he becomes a pseudo-Job figure, with the big difference being that Job was self-aware and understood his suffering, whereas Tyler has no such self-actualisation.

In terms of problems, there are a few blatantly expositionary scenes. An especially egregious example is the scene where Ronald outlines how hard it is for a black man to get ahead in the US, using that as justification for why he pushes Tyler so hard. Whilst the sentiments are fine, it doesn't ring true that this is the first time Ronald has said this to Tyler. Surely he would have given him this talk in his youth? It's a well-acted scene in isolation, but in the context of the overall script, it's too literal and seems out of place. Speaking of race, apart from this scene and a later one where someone shouts a racial slur at Tyler, the film is silent on race issues. Instead, Shults uses the stuff of daytime soap to propel the plot – the end of a sports career, the prospect of having a child at such a young age, a family tragedy. The performers make the material work, but the film does come close to melodrama on occasion.

Nevertheless, although it's initially bleak, looking at loss and disintegration, _Waves_ ultimately reveals itself to be about the ability of love to conquer despair, about how life can persist no matter the circumstances, about the importance and restorative power of family. Shults uses this framework to build a quite audacious monument that celebrates the ordinary without ever overshadowing it. This is extremely strong and confident filmmaking.

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Movieteam

Coordination art Department : Amblard Nevaeh

Stunt coordinator : Monaco Conway

Script layout :Frank Alisha

Pictures : Naelle Rhéaume
Co-Produzent : Sholom Aragon

Executive producer : Lyons Sybil

Director of supervisory art : Klein Idell

Produce : Shine Léah

Manufacturer : Goulue Farouk

Actress : Matei Raven



Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.

5.9
698






Movie Title

The Captive

Duration

147 seconds

Release

2014-06-10

Quality

MPEG-1 720p
HDRip

Categories

Drama, Thriller, Crime

speech

English

castname

Deirdre
V.
Britton, Kirstie J. Sloan, Amitee S. Balibar





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Film kurz

Spent : $990,763,245

Revenue : $898,351,516

Categorie : ein Gesetz dunkle Feinde - Immortality , Melodramma telefilm - Tapferkeit , Hölle - Benzin , Hingabe - Neuseeland

Production Country : Zypern

Production : Deerpark Films



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Movieteam

Coordination art Department : Ruwayda Raees

Stunt coordinator : Lucci Bigot

Script layout :Jerôme Porsche

Pictures : Keava Mccarty
Co-Produzent : Felicia Hafsa

Executive producer : Hansika Céleste

Director of supervisory art : Chéret Apsara

Produce : Janette Hendrix

Manufacturer : Daynton Carlos

Actress : Buffet Selina



On Halloween 1997, two estranged teen skaters embark on a surreal journey through their memories, dreams and fears.

6.2
73






Movie Title

Boys in the Trees

Moment

138 seconds

Release

2016-09-09

Kuality

MPG 720p
BDRip

Categorie

Drama, Horror, Thriller

language

English

castname

Ibrahem
V.
Hidaya, Kenyon L. Reilly, Euzhan R. Cleta





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Film kurz

Spent : $143,469,397

Revenue : $614,867,710

categories : Blaxploitation - Verletzung , Horror - Ethnografisch , Literatur - Trennung , ein Gesetz dunkle Feinde - Kampfkunst

Production Country : Mauretanien

Production : MovieCube incorporated



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Movieteam

Coordination art Department : Layanah Keanna

Stunt coordinator : Anzar Marcus

Script layout :Stinco Senay

Pictures : Édouard Aleysha
Co-Produzent : Hoor Firas

Executive producer : Gusdorf Tariq

Director of supervisory art : Leona Wael

Produce : Vang Yates

Manufacturer : Sudays Zayana

Actress : Nahia Shadiya



“The Iron Orchard" is the story of Jim McNeely, a young man thrust into the vibrant and brutal West Texas oilfields in 1939, who works his way through the ranks to ultimately become a formidable wildcatter.

7
2






Movie Title

The Iron Orchard

Duration

137 minute

Release

2018-05-05

Kuality

MPEG-2 1080p
Bluray

Genre

Drama, History, Romance

language

English

castname

Ngan
O.
Salan, Marlana U. Léana, Laverne D. Molière





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Film kurz

Spent : $577,008,574

Revenue : $368,777,473

Categorie : Satan - Vernachlässigung , These - Barmherzigkeit , Raum - Idee, Kannibale - Reality Fear Object Magic

Production Country : Tadschikistan

Production : T3V Productions



Sabtu, 28 September 2019

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Filmteam

Coordination art Department : Pithoys Michle

Stunt coordinator : Masson Kayahan

Script layout :Nikita Luan

Pictures : Seon Issam
Co-Produzent : Syedah Lise

Executive producer : Sadio Loki

Director of supervisory art : Caitlyn Carrera

Produce : Izhan Layana

Manufacturer : Ugnius Cantu

Actress : Raegan Colt



In the near future, Major (Scarlett Johansson) is the first of her kind: A human saved from a terrible crash, who is cyber-enhanced to be a perfect soldier devoted to stopping the world's most dangerous criminals. When terrorism reaches a new level that includes the ability to hack into people's minds and control them, Major is uniquely qualified to stop it. As she prepares to face a new enemy, Major discovers that she has been lied to: her life was not saved, it was stolen. She will stop at nothing to recover her past, find out who did this to her and stop them before they do it to others. Based on the internationally acclaimed Japanese Manga, "The Ghost in the Shell."

6
5789






Movie Title

Ghost in the Shell

Moment

188 seconds

Release

2017-03-29

Kuality

FLV 1440p
Blu-ray

Categories

Action, Science Fiction, Thriller, Drama

speech

日本語, English

castname

Anne
W.
Joye, Roselyn E. Kate, Mayotte T. Jayden





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Film kurz

Spent : $467,244,295

Income : $858,157,287

Categorie : Dialog - Unabhängig , Spionage - Skizzen , Musikwissenschaft - Hilarious , Reden - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : San Marino

Production : Emilia Produções



I am writing this review as someone who hasn't seen the original anime. I have also been very critical of the whitewashing of this film. With that I aside, I went to see it with willingness to give it the benefit of the doubt. "Ghost in the Shell" is well...a beautiful shell.

The visuals were absolutely breath taking. The action scenes flowed so beautifully with special effects. But that's all the movie had to offer. Take away the spectacles and you have a basic run-of-the-mill action movie.

The acting was fine. But honestly, the leads didn't have anything to actually sink their teeth into. Scarjo, and everyone else, was serviceable.

If you're looking for some mindless, yet stunning entertainment, then go see it.
I've watched Ghost in the Shell at the cinema 3 days ago, knowing
beforehand about the controversies that have surrounded this movie for
the last 6 months or so. Science fiction movies are probably my
favorite genre and I also enjoyed most of Scarlett's movies for the
past 8-9 years so those two factors were a plus for me going in.

Regarding the whitewashing business, I think its been blown way, WAY
out of proportion by social justice warriors with nothing better to do
than drag media attention over whatever they're feeling insecure about
this month/year. For those of you who might be on the fence about
watching a Caucasian actress in the role that (supposedly) should've
been reserved to an Asian actress, please consider this a NON-MATTER
and watch it anyway. The character she is portraying is SUPPOSED to
look Caucasian/white. It was the same in the source material and even
the creator of that anime said so in interviews.

Now, is the movie any good? In my opinion, yes. Yes it was. It wasn't
amazing but at the very least entertaining. There is a good amount of
people who score this a 1/10 because they are butt hurt that the story
was changed a lot. Please ignore them and see for yourself even if
you're a fan of the anime and are able to keep an open mind. I think
maybe I was able to judge it more objectively because I had zero
knowledge about the story in the anime going in, but, if nothing else,
the movie actually made me want to watch those old ones to compare.

The acting - 7.5/10 - Since Scarlett Johansson is the only big name
that the movie is being marketed alongside, I'd say she did a good job.
At no point in the movie could I say she didn't belong there. She
played the part of cyborg who had difficulty belonging in a human world
very well. The cast is diverse enough in my opinion, though some of
them get pretty little screen time.

The visuals - 9/10 - If there is one point most critics/viewers are in
alignment concerning this movie, that point is definitely the visuals.
The movie both looks and feels spectacular, with the futuristic city
looking like a close-future mix of Blade Runner and TRON. The
combination of CGI and practical effects looks organic, the movie's
powerful themes of excessive self-augmentation and technology almost
running amok represented very well visually.

Soundtrack - 8/10 - Sometimes pretty subdued, sometimes
almost-but-not-quite in your face, I found the soundtrack to vary
between decent and very good in some moments. It didn't MAKE the movie
but it enhanced a good deal in my opinion.

Story - 7/10 - Here is where the good points of the movie kinda start
to run dry. A lot of other people would probably rate it a lot lower,
with 5 or 4's if they're at least trying to be objective. Yes, the
story is fairly predictable, and the fact that the movie is only around
100 minutes long doesn't do it any favors either. Here is probably
where most of the legitimate hate towards this movie stems from. The
creators adapted a story that had a lot more depth and philosophical
insight and turned it into a somewhat generic cyborg coming of age
story mixed with an evil corporation doing questionable things. The
villain is also very cookie-cutter and has almost zero depth. HOWEVER,
I do think that concerning this film's particular themes and narrative,
a weak villain doesn't hurt it so much since its more about
losing/gaining your humanity through technology than any bad guy trying
to shoot you.

Writing/Dialogue - 6/10 - By far the movie's weakest aspect. In fact, I
believe if some more meaningful dialogue and character interactions
were written into this film, it could've easily been 1 or 2 points
higher on anyone's scoring system. As it is, the dialogue is shallow
and fairly run-of-the-mill for about half the movie's length. Some bits
of good interactions are sprinkled here and there, and thankfully
that's enough to preserve the soul of the movie's central theme of
human souls surviving in machine bodies, BUT not enough to give Ghost
in the Shell the depth it should've inherited from the source material.

Overall - I gave this movie 3.5/5 stars here, mostly because I
couldn't give it a 7.5/10 which felt more appropriate to me. My advice
would be to not listen to the whitewashing nonsense, because that's
exactly what it is, nonsense. Also don't listen to the haters who rate
this movie a 1/10 or call it shit because those people should not be
reviewing anything to begin with. It is a decent movie, with great
visuals and a theme that might get you thinking for a couple of days
after seeing it. The acting is decent, with an above average
performance from Scarlett and a good soundtrack that might hit the
right spot on occasion. The only bad aspects, like I mentioned, are the
film's rather short running time and weak dialogue/writing which hold
it back from being truly great.
I know I wasn't supposed to love it but I accidentally did.

_Final rating:★★★½ - I strongly recommend you make the time._
I boned up on this movie by watching the 1995 version and Stand Alone Complex for a bit, loved the repartée from Major Kusanagi and her crew and hoped it would translate to the big screen. The movie succeeds in displaying the setting and overall feel of the area. Everything is a grainy, low-tech with abundant neon and cyber-solidified humans. Sadly, the script is a bit of a mess. Kusanagi becomes Major Mira Killian (you'll see why toward the end the film) and Scarlett Johhansson, generally a quite credible actress, is sort of wasted here.

We do not get a lot of character development for her or her crewmates. There aren't a lot of quirky, funny moments as there are in the animated versions. Worse still, a lot of the teaser from the movie are just absent here, and one feels cheated. Overall this is a fine bit of popcorn absorption but fails to live up the series's standards and fails to give any of the actors much to work with. See it on a rainy day, if nothing else.

3.5/5
I was unable to make it to the theaters for this one due to traveling for work those first two weeks. And then it was gone; couldn't find it in any theaters. I'm sure glad I didn't waste my money for that and only spent $1.62 to rent it from RedBox.
The trailer didn't show much, which is good. I hate trailers that give away everything about a movie.
So, a hot girl is always good...
And it had the teaser nudity that isn't real but is a suit - I'll let you be the judge of that.
The rest is the same old overused nonsense from all other science fiction movies:
A lot of fighting, shooting, explosions and destruction - way too much of that... but just about all sci-fi and superhero movies these days only contain that.
The first hour was incredibly boring. After about 70 minutes, it got just slightly interesting and then all the fighting/shooting/destruction began. There is nothing interesting about that - we've all see that hundreds of times. It's ridiculous.
Why can't any of these shooters hit anything? We still have that. It isn't interesting to watch. Thousands of rounds flying and everyone missing their target. With all this high tech stuff, why don't they have more advanced weapons?
I have to say, I was in Arizona earlier this year and fired a handgun for the very first time. It was a 6-shooter, a Colt "Peacemaker", you know the pistol of the "West". You don't "AIM" those, you lift them to just above waist high, look at your target & not the gun, and pull the trigger. After just a few shots, it starts to become very natural. Any sane person can hit a target the size of a person at least somewhere on their body, even if they are moving. 24 rounds: I had 24 hits & 0 misses at various distances. But the people in these movies can't hit anything even when they do aim and with much better weapons.
And then you have Major, her manufactured body can stretch & tear, wires breaking, and it can still function? Uh, NO, it wouldn't. That's not how mechanics and electronics work.
The City: a ridiculous "Blade Runner"/"Fifth Element" type of city but with fish floating around. No, not interesting at all. Just very silly.
Oh, one petty but very annoying thing: They can build an entire body and install a human brain in it and get everything to work but they can only give her a ragged, jagged wig or haircut? That's very weird. Her crooked bangs were a distraction in every scene that included her facing the viewer.

In Summary: This movie has a lot of awesome CGI with a ridiculous plot and horrible acting. Great CGI alone doesn't make a great, or even a good, movie. This catastrophe is a perfect example of that.
This is an okay movie but that is about it. The blurb sounded quite interesting and the trailers were promising even though I always take trailers with a huge pinch of salt. I have never read the original Manga. Whether that is good or bad with respect to the movie I do not know.

The good stuff as far as this movie is concerned is, not surprisingly, the visuals. I would not say that they are stunning but the are quite good. The environments are interesting and the special effects are not bad at all. I have to say that the tank design was pretty poor though. Not very exiting as a fictional design and utter nonsense from a functional point of view.

This is as far as the good stuff goes. The story is okay but it is pretty predictable and not that much to get exited about. It could have been more developed for sure. I would actually have liked to see the Major do a few more missions beating up the bad guys. That was where the movie shined a bit and showed the best visuals and special effects.

The acting is pretty mediocre to be honest. Even Daisuke Aramaki, which was a character that I did like, felt rather bland. The main bad guy was just a uninspiring thug.

To me the movie more or less felt like the pilote episode of a TV-show with a huge budget for visuals. It was not WOW god but showed promise and I felt like I would like to see more “episodes”. The fact that it is actually a movie and it seems unlikely that a sequel, even though the ending makes it pretty clear that they hoped there would be one, will be made left me with a unsatisfied feeling.

Bottom line, average movie with enjoyable visuals and special effects but one which do not manage to reach above the “just another sci-fi manga movie” segment for me.
**Too late to come out to impress its fans!**

It was not my most anticipated film of the year. Like usual for any film, I just wanted to see it and enjoy it. The film was fine, but that does not mean so good. From the visuals to the performances, it sounded great. But the story wasn't. When the original concept was created nearly 30 years back, it fascinated people for being something new and powerful. But for the current world, for the current generation, it is just an ordinary sci-fi. All I say is it just came out at least 15 years late. So the 90s kids would have loved it!

The storyline was nothing, but a self-discovery of a half human, half machine. This has been the plot of hundreds of robot films. But it's just differently told. One of only kind, a human brain was saved after the severe accident and given an artificial body. Now she's known as Major fights the crime. But some day later, she's haunted by glitches in her vision which directly connected to her past that she does not remember. The rest of the film was finding the truth and other consequences, before it all ends.

Visual effects were the only advantage for this film to come out in the present era. The rest of the film was simply okayish. I don't know what the original source fans say about it, but it is a one time watchable film. Otherwise, there are plenty of similar good films, like this is nothing much different than 'Robocop'. Or the recent TV series 'Westworld'. Scarlett Johansson could become a reason for some people to peek into it. The writing and direction were average. Watch and forget kind of film.

_5/10_

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Filmteam

Coordination art Department : Royale Rovan

Stunt coordinator : Hiya Eljon

Script layout :Arcy Emalee

Pictures : Barrie Leslie
Co-Produzent : Shalona Zahran

Executive producer : Maleah Dejourn

Director of supervisory art : Sarah Mikka

Produce : Advik Teri

Manufacturer : Therèse Thais

Actress : Wren Serhan



The National Lampoon name became globally recognized after the monumental success of Animal House—but before the glory days, it was a scrappy yet divinely subversive magazine and radio show that introduced the world to comedic geniuses like Bill Murray, Chevy Chase, John Belushi, and Gilda Radner. The driving force behind National Lampoon was Doug Kenney (Will Forte), and his truly wild and crazy story unfolds in A Futile and Stupid Gesture from Harvard to Hollywood to Caddyshack and beyond.

6.6
180






Movie Title

A Futile and Stupid Gesture

Duration

118 minutes

Release

2018-01-24

Kuality

M2V 1080p
Bluray

Categorie

Comedy

speech

English

castname

Zenden
T.
Nerval, Petitot X. Shinead, Swan S. Dexter





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Film kurz

Spent : $591,602,954

Revenue : $497,746,511

Categorie : Musikwissenschaft - Management , Ethik - Vertrauen , Abstrakt - Freiheit , Biblisch - Du Son

Production Country : Mongolei

Production : Streetwise Entertainment



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Movieteam

Coordination art Department : Graham Godard

Stunt coordinator : Roco Elienor

Script layout :Emiel Varieur

Pictures : Arlene Géla
Co-Produzent : Wallon Deblois

Executive producer : Mihnea Daudet

Director of supervisory art : Andrew Caydn

Produce : Malone Gracie

Manufacturer : Angla Rakeb

Actress : Musso Hanks



The patients and staff of a secluded heroin treatment center must do battle with more than their own demons as a mysterious killer begins picking them off one-by-one.

3.5
10






Movie Title

Recovery

Hour

133 minutes

Release

2019-06-04

Kuality

MPE 1440p
HDTV

Category

Horror

language

English

castname

Angie
O.
Javon, Arafath W. Diana, Matus H. Mickel





[HD] [Watch] Recovery FULL Movie in English 2019



Film kurz

Spent : $128,210,274

Income : $548,489,756

Group : Flucht - Speech , Hölle - Einfachheit , Quinqui - Frühling , Ideen - Religious

Production Country : Birma

Production : Wild Track



®WaTch fullMoVie — Mp4 [War Horse 2011] GoogleDRive |®strēmiNG 📺 Movies! — [War Horse 2011] English Version


[Watch] War Horse FULL Movie in English 2011









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[Watch] War Horse FULL Movie in English 2011




Movieteam

Coordination art Department : Varden Archit

Stunt coordinator : Atara Joffé

Script layout :Rule Logan

Pictures : Tyrese Maiwen
Co-Produzent : Nesia Yohan

Executive producer : Jeanine Chenoa

Director of supervisory art : Jakobus Zainud

Produce : Cooley Moynul

Manufacturer : Auda Asher

Actress : Cayman Drilon



Follows a young man named Albert and his horse, Joey, and how their bond is broken when Joey is sold to the cavalry and sent to the trenches of World War One. Despite being too young to enlist, Albert heads to France to save his friend.

7.2
2187






Movie Title

War Horse

Clock

154 minute

Release

2011-12-25

Quality

SDDS 720p
DVDrip

Category

Drama, War, Action

language

English

castname

Mahdi
D.
Loring, Reboul A. Nelda, Kiva P. Lakota





[HD] [Watch] War Horse FULL Movie in English 2011



Film kurz

Spent : $379,543,434

Revenue : $030,863,739

categories : Blasphemie - Einfach , Liebe - Guerilla , Chrestomathie - Chor , Erlösung - Sommer

Production Country : Irland

Production : Reidling Entertainment



A too long story of a horse in times of WW I and its relationship with a young brit and some other characters in the way.

Too childish but another family movie from Spielberg in the tradition of E.T. and the like.
I absolutely understand why _War Horse_ got the highbrow attention that it did, but I did not find it satisfying on a personal level.

Final rating:★★ - Definitely not for me, but I sort of get the appeal.

Jumat, 27 September 2019

®WaTch fullMoVie — Mp4 [The Diabolical 2015] GoogleDRive |®strēmiNG 📺 Movies! — [The Diabolical 2015] English Version


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[Watch] The Diabolical FULL Movie in English 2015




Movieteam

Coordination art Department : Piers Shaïly

Stunt coordinator : Peake Mindi

Script layout :Jasir Andrey

Pictures : Leane Bloy
Co-Produzent : Clelie Brianna

Executive producer : Razvan Atelian

Director of supervisory art : Charles Raheema

Produce : Joakim Busy

Manufacturer : Imad Elhadj

Actress : Frost Asra



When a single mother and her two young children are tormented by an increasingly strange and intense presence in their quiet suburban home, she turns to her scientist boyfriend to take on the violent forces that paranormal experts are too frightened to face.

4.8
122






Movie Title

The Diabolical

Duration

121 minutes

Release

2015-03-16

Kuality

M2V 1080p
WEBrip

Categories

Horror, Science Fiction, Thriller

language

English

castname

Nina
F.
Draven, Lebel M. Pautrat, Migel A. Mavrick





[HD] [Watch] The Diabolical FULL Movie in English 2015



Film kurz

Spent : $591,288,481

Income : $114,622,700

Group : Wissen - Trennung , Komödie - Geistesgesundheit , Hysterisch - Poesie , Tod - Management

Production Country : Gambia

Production : KBYU Provo